As I ease myself into my harness as IAML (UK & Irl)’s Performance Set officer, I thought I’d share some things I’ve been chewing over about the various forms of competition there are to the services we offer.
Here in Birmingham, we’re quite new to charging for performance sets, having only been doing so for four years or thereabouts. Even so, some distinct trends have become apparent. While the number of orchestras borrowing has remained roughly the same, there has been an...
